“If it can be written or thought, it can be filmed.”
Stanley Kubrick
While Stanley Kubrick’s words could be an observation on the intrinsic flexibility of film (or a somewhat arrogant assessment of his own skill as a director), it is more fundamentally a comment on the flow of ideas across mediums. This edition explores this process of adaptation as ideas move from one medium to another, how a play can become a film and then a stage musical (as with Shakespeare’s Romeo and Juliet and West Side Story). Many factors drive the adaptation of ideas into different mediums: a writer or director’s interest in a new interpretation, new technologies and materials, as well as commercial opportunities. This edition of the archive examines why some adaptations can be straightforward, while others are more difficult. It highlights that adaptation is often a source of inspiration in the emergence of new art forms and representations. It also explores how certain forms of representation become established across mediums. Over time, multiple acts of adaptation force both the artist and the viewer to reexamine the work and how it relates to the moment of its creation, reemphasising the importance of understanding the specific meaning of ideas and the qualities of mediums when moving an idea from medium to medium.
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